DVD REVIEW: COMPLIANCE
Before Compliance starts
we are told that none of the events in the film are exaggerated and
that they all happened. This makes the next ninety minutes incredibly
unbearable for the audience, as what unravels on the screen is a
grotesque depiction of our fear of human conflict coupled with crippling
fear of authority's power over us. It's no surprise then that when
Craig Zobel's film first screened at Sundance Film Festival it had it's
fair share of attendees who walked out of the screening claiming it was
glamourising violence against women.
The
film tells the true story of an incident which took place in 2004 in a
McDonald's in Kentucky. Zobel switches the fast food chain from
McDonald's to a fictional ChickWich where Sandra (Ann Dowd), the manager
of the fast food chain, receives a call from a man who says he is
Officer Daniels and claims that one of her employees, Becky (Dreama
Walker), has stolen money from a customer. When questioned Becky claims
to be innocent but Daniels persists making Sandra query her employee
pushing her to do unimaginable things.
Zobel's
masterstroke is creating a sense of claustrophobia by keeping the film
restrained by the constraints of the restaurant's office. The small
setting creates some intense, uncomfortable viewing that slowly leads up
to a truly unbearable finale that will leave you questioning your
actions in the same position. Yet, once the film is free of these
constraints it doesn't quite know how to bring the film to a close and
the pacing that Zobel expertly crafted beforehand quickly falls by the
way side. The investigation into Officer Daniels takes all of five
minutes and the director spends little time concentrating the story on
Becky once she is free. It's disappointing then that a film that works
so hard in the first two acts trips and stumbles in it's third. Zobel
loses his concentration as the film works towards it's finale. The
director shifts his focus from the victim to her perpetrator causing the
third act to jar with the previous two. As disappointing as it may be
Zobel has still created an important film that wrestles with questions
of authority and power yet never reaching to be the film it should be.
3/5